![]() This discussion illustrates contemporary machine prototyping with the reuse, re-exploration and circuit bending of old media. Further, the thesis focuses on the new challenges the code sharing culture has brought to the artists: while the mysterious cover of techniques were revealed, how do the artists discard the conventional notion of 'skill pioneer' and 'technique creator', and further produce art work with unique qualities? In order to provide a possible solution to these questions, the author would like to introduce the notion of 'Zombie media', an approach of applying media archaeology into artistic methodology advocated by media archaeologist Jussi Parrika. This discussion is followed by the description of artists' advantages of working within an open source society which includes the efficient solution of technical and conceptual problems. This interlinks digital media with the pre-modern esoteric experience to provide a research context. This article firstly discusses contemporary scholars' work on the notion of 'computer code as magic incantation'. This article discusses the implications of open source culture within new media art practice from a practitioner's perspective of view. Media kills nature as they remain as living deads. A discarded piece of media technology is never just discarded but part of a wider pattern of circulation that ties obsoleteness to recycling centers, dismantling centres in Asia, markets in Nigeria, and so forth - a whole global political ecology of different sorts where one of the biggest questions is the material toxicity of our electronic media. And yet, we want to point to a further issue when it comes to abandoned media: the amount of discarded electronic media is not only the excavation ground for quirky media archaeological interests, but one of the biggest threats for ecology in terms of the various toxins they are leaking back to nature. As such, it is clearly related to the earlier calls to investigate "dead media" by Bruce Sterling and others: to map the forgotten, out-of-use, obsolete and judged dysfunctional technologies in order to understand better the nature of media cultural development. Our app is compatible with hundreds of the best PC games and available now.Zombie media addresses the living deads of media culture. It's the perfect way to track Refunct FPS drops and stutters.ĭownload our free FPS Monitor via Overwolf to count your frame rates as you play, and test how tweaks to your settings can boost FPS and increase Refunct performance. Refunct FPS - what frame rate can you expect?Īn FPS Monitor is the first step in understanding how the parts in your gaming PC are actually performing in real-world conditions. We'll help you find the best deal for the right gear to run the game. Filter for Refunct graphics card comparison and CPU compare. Looking for an upgrade? Try our easy to use Refunct set up guides to find the best, cheapest cards. Refunct will run on PC system with Windows 7 and upwards.Īdditionally it has Mac and Linux versions. However, the developers recommend a CPU greater or equal to an Intel Core i5-4400E to play the game. ![]() ![]() An Intel Core i3-530 CPU is required at a minimum to run Refunct. You will need at least 250 MB of free disk space to install Refunct. But, according to the developers the recommended graphics card is an AMD Radeon HD 6870. Provided that you have at least an Intel HD 4000 graphics card you can play the game. If possible, make sure your have 2 GB of RAM in order to run Refunct to its full potential. Refunct system requirements state that you will need at least 1 GB of RAM.
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